Jumat, 21 Februari 2014

[J684.Ebook] Download PDF TRAIN GO SORRY: Inside a Deaf World, by Leah Hager Cohen

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TRAIN GO SORRY: Inside a Deaf World, by Leah Hager Cohen

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TRAIN GO SORRY: Inside a Deaf World, by Leah Hager Cohen

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TRAIN GO SORRY: Inside a Deaf World, by Leah Hager Cohen

This portrait of New York's Lexington School for the Deaf is not just a work of journalism. It is also a memoir, since Leah Hager Cohen grew up on the school's campus and her father is its superintendent. As a hearing person raised among the deaf, Cohen appreciates both the intimate textures of that silent world and the gulf that separates it from our own.

  • Sales Rank: #111460 in Books
  • Published on: 1995-04-25
  • Released on: 1995-04-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .67" w x 5.20" l, .65 pounds
  • Binding: Paperback
  • 296 pages

From Publishers Weekly
Combining memoir and reportage, Cohen provides a sensitive, intimate portrait of a New York City school for the deaf and the issues facing the deaf community. Cohen is not deaf, but her father heads the Lexington School, and she grew up there. She tracks the progress of two students: Sofia, a Russian immigrant bravely learning a second sign language and a new American world; and ghetto-raised James, who finds stability after moving into the school dormitory. Cohen analyzes the fierce debates over mainstreaming the deaf, the value of oralism and whether new cochlear implants rob the deaf of their culture. She tenderly recalls her deaf grandparents, probes her father's dilemmas, reports on her frustrated romance with a deaf man and her work as an interpreter in a program for deaf adults at the City University of New York. She portrays sign language with wonderfully tactile prose--the word "silence," for example, is signed with "austere arcs." If Cohen's narrative is disjointed, her commitment and her descriptive gifts make her book memorable.
Copyright 1993 Reed Business Information, Inc.

From School Library Journal
YA-Cohen draws upon her experiences as the hearing grandchild of deaf immigrants to combine personal stories of hearing-impaired individuals with related aspects of deaf culture. Using her first home and her father's place of employment, the Lexington School for the Deaf in New York City, to connect characters and experiences, she shares tales of activities familiar to young adults-boring classes, the school play, selling ads for the yearbook, graduation. The only difference for these students is that they cannot hear and cannot speak the language of the hearing world. Through Cohen, readers share in the challenges, frustrations, fears, triumphs, and joys of achievement not only of these young people, but, through historical vignettes, of her grandparents as well. This perspective allows readers to determine how (or if) life has changed for the deaf in America. A careful reading of Train Go Sorry provides exposure to the urban poor and our country's many immigrants (both past and present), making this a resource suitable for sociology or history students interested in viewing the American melting pot through the eyes of a group of people with a silent past.
Janis Ansell, Tidewater Association Hearing Impaired Children (TAHIC), Virginia Beach, VA
Copyright 1994 Reed Business Information, Inc.

From Library Journal
The history of the Lexington School for the Deaf, the oldest school of its kind in the nation, comes alive with Cohen's vivid descriptions of its students and administrators. The author, who grew up at the school, follows the real-life events of Sofia, a Russian immigrant, and James, a member of a poor family in the Bronx, as well as members of her own family both past and present who are intimately associated with the school. Cohen takes special pride in representing the views of the deaf community--which are sometimes strongly divided--in such issues as American Sign Language (ASL) vs. oralism, hearing aids vs. cochlear implants, and mainstreaming vs. special education. The author's lively narrative includes numerous conversations translated from ASL. This is a one-of-a-kind book for both young and old readers. Essential for special education collections.
- Arla Lindgren, St. John's Univ., New York
Copyright 1993 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
This is a factual account of life as a deaf ...
By Linda
This is a factual account of life as a deaf person.. I am hard of hearing myself. Iris an insightful book!

18 of 22 people found the following review helpful.
Issues in Deaf Education
By Amazon Customer
This book is a personal overview and interpretation of several issues of concern in deaf education. The author, Leah Cohen, was born into a hearing family who worked and resided at Lexington School for the Deaf in New York City. In this book, she explores her connection to the school through the stories of her father's parents, who were both deaf, and her father, who was superintendent of the school when this book was being written. Cohen also looks at the school from the point of view of two students, Sofia Normatov and James Taylor. She describes some of the accomplishments these students have achieved despite tremendous challenges. Sofia was a recent immigrant from the USSR, and must learn ASL and English if she wants to go on to university. James hails from the housing projects and receives very little support from friends and family for his academic endeavors. Nevertheless, he is determined to pass the Regents Exam and earn an academic diploma so that he will have the opportunity to continue his education. Cohen also describes her own experiences learning sign language and then developing her skills as a translator. The book includes some black-and-white photos of the main characters described in the text. There is no index or bibliography.

Worked into the chapters telling stories about Lexington School, its students, and staff are many issues that are central to the deaf community today. One of these issues is the question of mainstreaming deaf children into public education. Many administrators (and hearing parents) believe that deaf children should be treated like other handicapped children and enrolled in regular classes in hearing schools. These people cannot seem to comprehend how misguided this policy is. Deaf children, especially those born to hearing parents, need the company of other deaf children in order to learn the language that is best suited for them. Only in the company of other deaf children of varying ages and deaf adults is it possible for deaf children to pick up on Deaf culture, the culture that will understand them for who they are and not consider them handicapped. A deaf child who is mainstreamed is likely to spend most of his or her childhood isolated, unable to communicate effectively with peers or develop native fluency in sign language for effective communication with other deaf people. Schools for the deaf, on the other hand, provide rich opportunities for deaf children to develop socially as well as learn in classes that are thoroughly adapted for their skills and needs. In her chapters touching on the question of mainstreaming, Cohen reports the discussions at board meetings and the frustration on the part of educators for the deaf in getting education departments to listen to their arguments.

Cohen discusses at some length the topic of cochlear implants. Not only does she explain why those in the Deaf community see no use for them, but she also points out how they can harm the user by eliminating residual hearing they might have. In her material about the student James, she points out how little supposed hearing specialists know about the implants.

One of the largest and perhaps somewhat understated issues in the book is the question of the role of ASL in deaf education. I was shocked to read that some teachers at the Lexington School, at least in the early 1990s when this book was written, still had no fluency in ASL. How in heavens name could they communicate with their students? As Cohen explains, Lexington was founded as an oral school, and it has only been quite recently that students were finally allowed to communicate with each other in sign. Cohen was born into a family where her father and grandparents were fluent in sign and used it as their primary means of communication, and she spent the first 7 years of her life living in a residential school for the deaf, haunting the hallways and even attending preschool classes with deaf children. With such an upbringing, fluency in ASL should have almost been her birthright. Instead, with ASL banned on campus during the time she lived there, she did not start to learn sign language until her college years, by taking private lessons. (Perhaps this is why she was completely ignorant about deaf applause, and mistakenly attributes its invention to the Deaf President Now campaign at Gallaudet in 1988. While she claims that the shimmering hand applause of the deaf spontaneously appeared at Gallaudet in 1988 and from there spread rapidly around the world, I saw it in action in 1985-86 in deaf schools in Finland. I suspect it has been part of Deaf culture for quite a bit longer than Cohen was aware.) In her book, she notes that "train go sorry" is a deaf idiom equivalent for "missing the boat". The truly tragic "train go sorry" in this book is the fact that Cohen was denied learning sign language as a child, and that deaf students anywhere studying in deaf schools still find teachers in their classrooms who do not know and use ASL. While oral skills have their place and should be a part of the deaf curriculum, they should constitute a minor course of study, and not the medium of instruction.

11 of 13 people found the following review helpful.
Not only is it extremely well-written, it covers a multitude of salient issues of Deaf culture
By J. K. MANCINI
The book is marvelous for its accurate insights into Deaf culture. It uses a Deaf residential school setting as the basis for the many subplots so we get an inside look at deaf people - It is an ingenious device. We see the various aspects of Deaf culture from many points of view as Ms. Cohen explores issues through the various characters in the book. All the characters are very interesting and fully drawn. You feel as though you know each one of them when you're done.

I am a hearing man who has been involved in the Deaf community for over 30 years. I teach ASL at a college and have read just about all the books available on Deaf culture. This is the book that I now require for my level two students. It gives so much "inside" information about deaf people. And she does it through the many fascinating lives of each character, most of them deaf, a few hearing.

If you are an ASL student or know a deaf person, you should definitely read this book. If your professor doesn't now about this book yet, tell him or her to read it. Even if you've never met a deaf person I think that you will find this to be a great read. It is breezy yet poignant and you keep turning the page to see what happens next to each person involved.

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Selasa, 18 Februari 2014

[N993.Ebook] Download PDF Audio Systems Technology #2 - Handbook For Installers And Engineers, by J. B. Hall, NSCA

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Audio Systems Technology #2 - Handbook For Installers And Engineers, by J. B. Hall, NSCA



Audio Systems Technology #2 - Handbook For Installers And Engineers, by J. B. Hall, NSCA

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Audio Systems Technology #2 - Handbook For Installers And Engineers, by J. B. Hall, NSCA

An intermediate-level study of audio systems technology as it is practised in the industry. It covers: basic audio calculations; acoustical measurements; microphones, loudspeakers and mixers; trigonometry and geometry; wiring and cabling; business communication; and bench test equipment.

  • Sales Rank: #3238181 in Books
  • Published on: 1998-10-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 2
  • Dimensions: 9.50" h x 7.75" w x 1.00" l,
  • Binding: Paperback
  • 432 pages

From the Back Cover
SNNSCA's Audio Systems Technology: Handbook for Installers and Engineers, Level II is a one-stop information source for today's audio technician. It can be used as a study guide to prepare for NICET audio technician certification exams, as well as a comprehensive reference for the installer of audio systems --- both out in the field and at the bench.

Designed to correspond with Level II work elements on the NICET tests, this book presents intermediate level content on audio installation as it is practiced in the industry today. Here are just a few of the topics:

Basic Audio Calculations
Acoustical Measurements
Microphones, Loudspeakers and Mixers
Trigonometry and Geometry
Wiring and Cabling
Effective Business Communication
Bench Test Equipment

Additional information about getting certified by NICET is included, with tips and strategies to help the test-taker improve their chances of success on the NICET exams.

This book is for you if:

You want to be NICET-certified in audio systems
You are a developing audio installer or engineer
You want to enhance your knowledge of audio systems design and installation
You are experienced but want to brush up on intermediate-level audio
Also look for the Level I book in the Audio Systems Technology series!

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Minggu, 16 Februari 2014

[J651.Ebook] Ebook Greek Philosophers: Socrates, Plato, Aristotle (Past Masters)

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Greek Philosophers: Socrates, Plato, Aristotle (Past Masters)

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Greek Philosophers: Socrates, Plato, Aristotle (Past Masters)

  • Published on: 1700
  • Binding: Paperback

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27 of 31 people found the following review helpful.
Enjoyable introductions to the Greek philosophers
By Richard L. King
Oxford University Press has done a great public service by publishing its "Past Masters" series. Each title in the series is an incisive account of a particular thinker published in a portable and inexpensive format. I only wish all of the titles in the series had been available to me during my undergraduate years! The three titles included in this one volume on Socrates, Plato, and Aristotle are welcome additions to the Past Masters series. All three essays are written with clarity and grace, and are worth the attention of novice and specialist alike.

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Senin, 10 Februari 2014

[S755.Ebook] Download The Best Ghost Stories of H. Russell Wakefield, by H. Russell Wakefield

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The Best Ghost Stories of H. Russell Wakefield, by H. Russell Wakefield

Herbert Russell Wakefield was an English short story writer, novelist, publisher, and civil servant chiefly remembered today for his ghost stories. From Table of Content: (1)The Red Lodge (2)He Cometh And He Passeth BY (3)Professor Pownall's Oversight ( 4)Look Up There (5)Blind Man's Buff (6)Day-Dream In Macedon (7)Damp Sheets (8)A Black Solitude (9)The Triumph Of Death (10)A Kink In Space-Time (11)The Gorge Of The Churels (12)Immortal Bird (13)Death Of A Bumble-Bee

  • Sales Rank: #2012777 in Books
  • Published on: 1982-10
  • Original language: English
  • Dimensions: 8.75" h x 5.75" w x .75" l,
  • Binding: Paperback

Most helpful customer reviews

10 of 10 people found the following review helpful.
Relentless and Powerful Horror Stories
By cameron-vale
While H. Russell Wakefield is one of the most critically admired masters of the short horror tale, his work has nonetheless been almost completely ignored by publishers since his death in 1964. In the U.S., the only way to sample Wakefield's swiftly paced and terrifying tales is via this now out of print collection of fourteen stories, first published by Academy Chicago in 1978 and reprinted in 1982. (According to the brief but informative introduction by Richard Dalby, the situation in Wakefield's native Britain was even worse...his last book was published there in 1940!) Wakefield's taut and deft style can be reasonably compared to M.R. James, as his stories are often just as richly atmospheric and brooding. However, Wakefield multiplies the terror quotient a fair degree by relentlessly leading up to the kinds of horrific and often cruel endings that James usually avoided. While there are somewhat conventional ghosts in haunted houses ("The Red Lodge" and "Blind Man's Bluff"), Wakefield's supernatural interests ran a little wider than the title of this collection implies. "He Cometh and He Passeth By", arguably Wakefield's most acclaimed tale, is a small masterpiece of black magic terror featuring a particularly fiendish villain. "The Triumph of Death" is an unusually sadistic tale of vengeance. And the Lovecraftian, cosmic horror of "`Look Up There!'" packs a surprisingly potent wallop; this short tale about a man on holiday who becomes obsessed with a vision of something evil in the clouds shows just how frightening and disturbing pure suggestion can be. For the horror connoisseur with an appetite for unusual thrills, this collection is very much worth seeking out.

3 of 3 people found the following review helpful.
I love a man who writes a good haunted golf course story
By Jennifer Grey
In the introduction to this collection, editor Richard Dalby quotes M.R. James's reaction to Wakefield's first published anthology of ghost stories, They Return at Evening: "Mr. Wakefield," says the darling, dry Montague, "gives us a mixed bag, from which I would remove one or two that leave a nasty taste. Among the others are some admirable pieces, very inventive." Monty could just have well been referring to this volume, which groups together fourteen of Wakefield's creepy tales ranging chronologically from his first story, "The Red Lodge," to his last, "Death of a Bumblebee."

My introduction to H.R. came courtesy of the H.P. Lovecraft Literary Podcast, which featured "The Red Lodge" several months ago, and I was intrigued enough by the story to bother to hunt down this collection through interlibrary loan. The effort was certainly not wasted. While there is one confirmed stinker in the bunch (the aforementioned "Bumblebee"), the rest of the tales are at least entertaining, and a couple come close to brilliant ("Blind Man's Bluff"). In all honesty, I will admit that I would feel honor-bound to promote this book sheerly on the basis of it containing the only haunted golf course story it has ever been my pleasure to stumble across. And because Wakefield devotes not one but two stories to taking the piss out of Aleister Crowley, which just kind of makes you want to buy the man a beer.

Wakefield served in the Royal Scots Fusiliers during WWI and lived in London during the Blitz. War pervades his stories, sometimes to great effect, as when it serves to mentally disarrange his narrators just enough to make them susceptible to the supernatural, sometimes to their detriment (Have I mentioned the "Bumblebee"?). Whichever it is, Wakefield tells his tales forthrightly, with none of Lovecraft's adjectival overabundance, and only waxes ever so slightly poetic when discussing mathematics or chess. His tales are far from perfect - there's a tendency to tack awkward explanatory codas onto the end, and the tone toward women will make your eyes roll - but he manages, now and then, to evoke a sincere shiver. Admirable and inventive, indeed.

5 of 7 people found the following review helpful.
Powerful stories
By Sarah Sammis
I really enjoyed these ghost stories. The first story, "The Red Cottage" nearly gave me nightmares. Interestingly, some of the descriptions Wakefield uses for his ghosts show up in another ghost story I'm reading, Affinity and I'm enjoying the synchronicity between these two books. The introduction to the story collection says that Wakfield was a contemporary with Lovecraft and it shows in his stories, in the subtle way he turns the oridinary into the extroridinary and ultimately into the horrific. I find that his shorter stories pack more of an emotional punch than his longer ones. His best stories are the ones that stay under twenty pages. The longer ones lose their pacing. He doesn't throw in enough smaller scares in to compell rapid page turning. Nonetheless, stay with the longer stories and enjoy the endings. They all do satisfy at their conclusions.

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Jumat, 07 Februari 2014

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