Minggu, 12 Januari 2014

[Y952.Ebook] PDF Ebook A Hometown Boy, by Janice Kay Johnson

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A Hometown Boy, by Janice Kay Johnson



Prosecutor David Owen has fond memories of growing up in small-town Washington State. But he outgrew that place—and his family—long ago and hasn't felt the need to return. Until the day a tragedy shakes the town and calls him back to a community desperate for hope and healing. In the emotional fallout, he never expects to find Acadia Henderson again.

For one teenage summer they hovered on the edge of a sweet attraction before she moved away. Now as adults, that same attraction is there…only, hotter and way more intense. This seems like the wrong time to find a connection. But it could be the perfect time to move on…with each other.

  • Sales Rank: #676019 in eBooks
  • Published on: 2013-01-01
  • Released on: 2013-01-01
  • Format: Kindle eBook

About the Author
The author of more than seventy books for children and adults, Janice Kay Johnson writes about love and family - about the way generations connect and the power our earliest experiences have on us throughout life.� A five time finalist for the Romance Writers of America RITA award, she won a RITA in 2008 for her Superromance novel Snowbound.� A former librarian, Janice raised two daughters in a small town north of Seattle, Washington.

Excerpt. � Reprinted by permission. All rights reserved.
How could she still love someone who was the source of most of her misery and grief? Someone who had ruined her life?

Joyce Owen sat behind closed drapes in her living room, the TV flickering but unwatched although Days of Our Lives was on. She had scarcely left the house in two weeks, had become so accustomed to keeping the blinds closed she never noticed anymore how dim the room was. Her world had narrowed gradually as she cut off contact with that hateful Marvella Hatcher first, then the Daleys, Kirk and Marie Merfeld, Alice Simmons, once her dearest friend, the Jurgens…until no one was left. Once she'd enjoyed gardening and talking over the fence with the neighbors to each side, grocery shopping here in town, going to the library, catching up on gossip. It had been years since she'd stepped foot in the Food Emporium here in Tucannon; she drove all the way to Walla Walla now to buy her necessities, just so she didn't have to pretend not to hear the whispers when townsfolk set eyes on her.

All because of Robbie, who couldn't help himself—oh, she knew he couldn't—but he had made her life hard. There was no denying that.

Two weeks ago, she'd had to tell him this was no longer his home, not if he wouldn't take his medicine. He was her oldest, thirty-four years old and no more capable of taking care of himself than a five-year-old. But she had finally become so frightened of him she couldn't live with it anymore.

Since he'd stormed out, she had understood that this wasn't any better. Joyce felt as if a tornado was approaching. The sky was sickly yellow, the stillness absolute, and by the prickling of her skin she knew, knew, that something terrible was coming. She was just waiting to find out what that something terrible was. She slept only in uneasy bursts, every creak of the old house jerking her to wakefulness. Come morning, she did her housekeeping chores out of long habit, hurrying when she had to step outside to water her poor pitiful roses in the backyard or haul the garbage can out to the curb. Then she sat, pretending to watch TV. And all she could think about was what he was doing right now. What he was thinking. How scared he was.

She knew Robbie hadn't left town, the way she'd half hoped he would. She didn't answer the phone, but she did listen to messages. Several neighbors had called to complain that they'd caught him sleeping in their garage or under their lilac bushes beneath the front windows. Sounding mad as hell, Wayne Tindall said, "I looked at him down the barrels of my shotgun and told him if he steps foot on my property again I'd let him have it."

Of course, Wayne hadn't liked the boys even when they were just normal high-spirited kids. He'd called the police when David hit a baseball through his plate-glass window. As if he hadn't known perfectly well that Pete and Joyce would pay for the replacement and then make David work it off in chores. Joyce just plain didn't like Wayne Tindall. She tried to feel sorry for his wife, Betty, living with a man who lacked even a grain of compassion.

Crack. The crack of a gunshot came from so close her entire body spasmed. Joyce dropped to the floor with her heart racing. Oh, God, oh, God, she thought. It had come. Whatever the terrible thing was.

Somebody was screaming, a keen of terror. Crack. The second shot, cutting that scream off, was just as loud, just as near, rattling the window glass. It sounded as if it had been fired right outside her living room.

Or next door, she realized with a shudder. At the Tindalls'.

But she'd heard shotguns fired before, and they didn't sound like this, clean and sharp.

Panic squeezed her chest. Whimpering, she crawled a few feet and then lurched to her feet and ran toward the back of the house. She hardly ever went into Pete's den, only to vacuum and dust every week or so. She hadn't emptied out any of his things since he dropped dead of a heart attack near two years ago. She just…closed the door. She had too much grief already on her mind.

Now she flung the door open and stared in horror at his gun safe, standing open and empty. The key. Robbie had found the key. Pete's hunting rifles were missing, both of them, and Joyce knew without looking that the handgun he kept in the drawer at the bottom of the safe would be gone, too. Lord have mercy on them all.

What had Robbie done?

Right that moment, she didn't even care that he might be coming for her. No, she hoped he would. This was all her fault. Her legs sagged, and she sank down onto the floor right there, in the doorway where she couldn't look away from the awful sight of those missing guns. Tears streaming down her face, she waited for him.

Reeve Hadfield lay on his back on his wooden creeper under the car, Kanye West's "Heard 'em Say" blasting through his earbuds. He wiped sweat from his forehead, not caring that he'd probably smeared grease on his face, then adjusted his light and started to lift the wrench. A glimpse of his watch surprised him. Crap! Walt said he'd probably stop by before one, and it was after that now. He'd have seen that Reeve was under the car, wouldn't he?

Walt Stenten owned the Shell station out by the highway. Reeve had pumped gas through high school and after he graduated had gone to work for him full-time. It wasn't like they were friends, exactly; Walt was probably Reeve's parents' age, maybe forty-five or fifty or something like that. He was this short guy built like a box, who kept his hair in a buzz cut and had crinkles beside his eyes from squinting. They hardly talked at all, and when they did it was mostly stuff like, "Start with the oil change, then let's take a look at the brakes on the Hargers' Voyager."

Reeve had been working on his own car, a '55 Chevy Bel Air. Not a convertible; that would have been even cooler. This was a sedan, but it was in awesome shape considering. Getting parts was the hard thing. Walt had been helping him with that.

Reeve reached down to his waist and turned off his iPod, so he'd hear when Walt did come. The garage door stood open to give him better light to work by, so Reeve knew he wouldn't go to the front door or anything.

Talk about timing: he heard footsteps coming up the driveway. Grinning, Reeve laid down the light and his wrench, then gave a push with his heels to send the creeper shooting out from under the side of the Bel Air. He spun on the wheels and, still on his back, zipped out to the front of the garage, the bumper rearing above him.

Since his eyes had adjusted to the dim light under the car, the brilliant sunlight blinded him for a moment. All he could see was a dark silhouette against the white-hot background.

"Walt?" he said, hearing his own uncertainty. He blinked a couple of times, thinking it was weird that Walt hadn't said anything or moved.

One more blink, and he could see again. Only…it wasn't Walt standing there. It was that freak Rob Owen. And—shit!—he had a rifle slung over his back, a pistol jammed in his waistband, and he was holding another rifle loose in his arms.

His hair was matted and dirty. Was that blood spattering his face and the front of his T-shirt? He stared at Reeve, his face expressionless except for his dark eyes, which burned. He was crazy, everyone knew that. But this…this was horror-movie crazy.

Reeve heard himself start to say, "What the…?" when the barrel of that rifle lifted and took aim at his head or maybe his chest. Owen sighted down it, and, as if time had slowed down, Reeve actually saw a finger tightening on the trigger.

I'm dead, he thought incredulously.

And then, God, a body flew out of nowhere just as the first deafening boom sounded. Slam! Somebody came down on top of him, pushing the creeper backward.

Boom! Another shot.

It was deadweight on him. Completely panicked, Reeve shoved the body off him and propelled himself under the car with a scramble of heels and hands.

Walt. God, that was Walt, he realized in horror. Walt, with blood spilling from his mouth, and his eyes.

Reeve came out the back of the Bel Air and leaped off the creeper, crouching behind the bulk of the car, straining for any sound at all.

Nothing. Damn it. Nothing.

He measured with his eyes the distance to the door going into the house, and knew he had to try for it. His heart was trying to slam its way out of his chest, and he wasn't sure he could hear over the thunder in his ears.

Now!

Still crouching, he threw himself forward, up the two steps, turned the knob, yanked the door open and all but fell through, into the kitchen. He didn't hear a gunshot, didn't see anything. Hand shaking, he pushed the stupid-ass little button lock that wouldn't keep out anyone, then ran for the phone. It took him three tries to dial 911.

The operator had already answered, her voice faraway and tinny, when Reeve heard another gunshot. Not right out in front; maybe a couple of houses away.

"Somebody's shot," he babbled. "God! I think he's dead. My address."

"I have your address, sir. Do you see the gunman?"

"No!" he screamed. "I don't know where he went! Just…hurry. Tell them to hurry."

Then he dropped the phone and ran for the bathroom. He'd pissed his pants. He couldn't let anyone see. No one.

Somehow he got himself cleaned up, grabbed jeans from his bedroom and raced for the door to the garage again, still hopping to get the jeans on and buttoned.

Somewhere, sirens had started. Not one, but several.

God. He wanted to go out and see if Walt was alive, but he was too freaking scared to do it. Walt might be bleeding to death, after sacrificing himself to save Reeve, and he didn't have the guts to go back out into the garage.

He'd never learned first aid anyway.

Oh, sure. Good excuse.

The sirens screamed right outside....

Most helpful customer reviews

6 of 6 people found the following review helpful.
Such An AWESOME Read!!!
By Mariann at Belle's Book Bag
WOW...When I decided to read A Hometown Boy, I was expecting the story to be focused on a sweet romance that occurred from some sort of tragic event. I mean look how sweet the cover is!! What I got...TOTALLY. BLEW. ME. AWAY. I was so not prepared for such a powerfully emotional story. It is so well written and immediately captured and held my attention till the end. I could go on and on, but I will try to keep it short and I will try not to give away any spoilers. :)

The book starts out the day of the tragedy and is told through several character's POVs. The beginning was both sad and disturbing to read because this type of thing happens far to often in society today. It showed how so many lives are affected and made me think about how not only the victims and their families suffer but also how the family of the killer suffers and in this case, how Robbie suffered as well.

Up till this story, I never really gave much thought as to how the family of the killer suffers just as much, if not more in certain cases. They not only have to deal with their own personal grief but at the same time are grieving over the hurt or loss of any victims and dealing with the guilt and responsibility they feel~as well as other peoples harsh treatment towards them. It was truly a heart~breaking read and I felt for each of the characters. I didn't think it was possible for me to feel badly for Robbie, but I did. The scenes when David sees Robbie's apartment for the first time and then David's words at his funeral and Robbie's self-portrait~had me in tears.

I definitely sympathized with David and Acadia right form the start. I just loved them together. The scenes where they remembered their childhood growing up were so sweet. And I loved how their romance grew out of friendship. Acadia was such a great character.
I loved the way she was able to see past the tragedy and support and defend David while she herself was also grieving. Because he so needed her and he tried his best to comfort her in return. I thought Janice wrote David's character so well. He was trying to take care of his mother while trying to hold everything together. Loved him!! So, of course, I wanted David and Acadia to get their HEA. lol :)

A Hometown Boy showed that even out of the worst tragedy, some lives can be changed for the better. Even though the ending was great~I would have loved an epilogue to show the characters a few years later. I definitely shed more than a few tears but there was also romance, friendship, healing, forgiveness, some laughter and a HEA that left me with a good feeling at the end.

I will definitely be looking for more from Janice Kay Johnson and I cannot highly recommend this book enough!!

***This may sound corny, but I have no other way to describe my feelings about this book but to say that I truly feel that I am a better person after reading A Hometown Boy. This book changed the way I define exactly who the victims are in tragedies because they have so very many different faces and there are so many different forms of suffering.***

Best Of The Best rating!!

***ARC obtained per NetGalley and Harlequin~Thank you!!

5 of 5 people found the following review helpful.
Thought provoking
By Always YA at Heart
David Owen is a prosecutor in Seattle. He rarely, if ever, returns home to the small town that he grew up in. It is easier to avoid his mentally ill brother and his mom, who has always put David's brother's needs above his. It is even harder since his dad passed away. Acadia Henderson hasn't been home to see her father in years. Even though she moved away with her mother after their parents divorced when she was 13, she has still considered this small town home, spending her summers there when she was younger, though she is still resentful that her father didn't fight harder for her to stay with him. When tragedy strikes, David and Acadia, who haven't seen each other in 16 years, are forced to both return home at the same time. David's brother is dead, Acadia's father is dead, along with several other neighbors and friends. No one ever thought anything like this could happen in their small town. No one was prepared when it did.

David arrives home to his distraught mother who is in a state of shock, crime tape barring them from entering his brother's basement apartment and his father's den, where the guns were kept. As he drives through the small neighborhood there is more of the same. Charlie Henderson's porch is blocked off with crime tape, as are some of the other neighbors. No one knows how this could have happened. Acadia, who is a nurse in California, arrives home to her father's house, a house she hasn't been to in years, a house that for the first time ever does not have her father in it. David see's her get out of the car, and she notices him looking at her also. Despite the tragedy that has brought them home again at the same time, she can't help but remember the crush she had on David for years when they were young, remembering the summer they spent together. The feelings are still there, even though she hasn't thought about it in years. David is surprised to see Acadia. He should have known she would come. Seeing her again stirs up feelings in him also. Yet there is this vast wall of guilt and tragedy that stands between them now. The town is angry at David's mother and at him because of what his brother has done. David understands this, though it doesn't make it any less difficult to endure. They blame the family, even though the family wasn't at fault. The only one who doesn't blame them is Acadia. In fact, she stands behind David and his mom as they all go through the aftermath of death and tragedy together.

David and Acadia begin to spend more and more time together as they go through the necessary steps that must be taken after a loved one dies. They find out that the same feelings that were there when they were teenagers are still there, and are even stronger. They are also a great source of support for each other during this time. In fact, it is Acadia's support that helps the townspeople to begin to forgive, and begin the process of healing. As the funerals end, and all the arrangements have been sorted out, David and Acadia must decide where there relationship will go from here. Is this just another summer fling, or is it something real, something that can last a lifetime?

A Hometown Boy is a story of tragedy, death, grief, anger, mental illness, love, forgiveness, and healing. In light of recent events, I was hesitant to read it, but I am glad I did. Not only did I relate and comprehend the hurt and anger of the victims, but I was also able to relate to the family of the one who caused the tragedy, who in reality, were victims themselves. That really gave me something to think about. I think that it is too easy to overlook the family of the perpetrator. They are people that are filled with sorrow, guilt, and shame because of what their loved one did, but also grieve not only the lives of those their loved one took, but also the loved one that they lost. Acadia is amazing in this story as she leads the way to reconciliation and forgiveness, a characteristic her father would have been proud of. This is a story of people who in the midst of tragedy, experience families and friends brought together again, witness relationships being healed and restored, and experience love as it blossoms and grows. This thought-provoking contemporary romance is more than just a sizzling story, it is something that inspires you to think about your belief system and your reactions, and just how those reactions effect the people around you.

2 of 2 people found the following review helpful.
4.5 star Review
By Harlequin Junkie Blog
A Hometown Boy by Janice Kay Johnson is a deeply emotional read about forgiveness and love.

David Owen, a prosecutor in Seattle, has fond memories about growing up in a small town in Washington, but he also has some very painful memories that have kept him away from his family for a long time.
Acadia Henderson, was very happy living in a small-town with her parents. She loved her friends and her school. But when she was thirteen her parents divorced, her mother took her to live in San Francisco. She has never forgiven her father for not fighting to keep her with him.

Now tragedy has struck and a mass murder brings them both back to the town they didn't want to return to. David is the brother of the mentally ill murderer who took many lives and his own, Acadia is the daughter of one of the murdered. Once close friends are now faced with a decision of the relationship they will now have, and with the town torn apart by the pain and tragedy they will have a few people who will support them being together and others who will try to make a big drift between them.

It will take forgiveness, friendship and love to bridge the relationships that were taken for granted and for a town to find the peace it needs after such a tragedy. And with some paintings from David's brother that show how he saw the world in his mind, maybe they will all be able to open their hearts to forgiving a person who was living in hell and didn't know how to get out.

If you want to read a very emotionally deep romance that has survived the passage of time and a tragedy that in other's eyes may have driven them apart, as well as an eye-opening and thought-inspiring book. Then this book is for you.

Reviewed at HarlequinJunkie.com

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Sabtu, 11 Januari 2014

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  • Published on: 2002-01-01
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Evaluating Practice: Guidelines for the Accountable Professional (5th Edition), by Martin Bloom, Joel Fischer, John G. Orme

Evaluating Practicecontinues to be the most comprehensive practice evaluation text available. Focusing on single-system designs, Evaluating Practice, Fifth Edition, presents clear guidelines on conceptualizing and measuring problems, developing practice-oriented evaluation designs, understanding and analyzing data, and ethical guidelines for practice evaluation. Specifically written for students and practitioners in all the human services, including social work, psychology, counseling, nursing and psychiatry. Unsurpassed among human service evaluation texts for bringing clarity to evaluation procedures, Evaluating Practice comes with a free CD-ROM featuring numerous programs, including the innovative SINGWIN program for analyzing data (created by Charles Auerbach, David Schnall, and Heidi Heft Laporte of Yeshiva University), and the CASS and CAAP programs (created by Walter Hudson) for managing cases and scoring scales. The improved and expanded CD-ROM contains an "Intervention Plan" form that can be used to develop a comprehensive intervention and evaluation plan of action that parallels chapters in the text. The CD-ROM also contains a new "running case" that can be used interactively to try out concepts and procedures from the text. Significant updates to SINGWIN (on CD-Rom), including the incorporation of new statistical procedures designed for ease of application. And the prologue offers an extensive case illustrating the integration of practice, ethics, and evaluation for students, making the text even more appealing to practitioners.

  • Sales Rank: #112163 in Books
  • Published on: 2005-07-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.44" h x 1.44" w x 7.14" l, 2.63 pounds
  • Binding: Hardcover
  • 744 pages

From the Back Cover
Evaluating Practice continues to be the most comprehensive practice evaluation text available. Focusing on single-system designs, Evaluating Practice, 5/e, presents clear guidelines on conceptualizing and measuring problems, using practice-oriented evaluation designs, and understanding and analyzing resulting client data. Ethical guidelines for practice evaluation are infused throughout. Evaluating Practice was written for students and practitioners in all of the human services, including social work, psychology, counseling, nursing, and psychiatry.

Evaluating Practice comes with a free CD-ROM featuring numerous programs, including the unique and innovative SINGWIN program for analyzing single-system design data (created by Charles Auerbach, David Schnall, and Heidi Heft Laporte of Yeshiva University); the CASS and CAAP programs for managing cases and scoring scales (created by Walter Hudson); and a NEW set of Microsoft Excel Workbooks and interactive exercises.

Highlights of the Fifth Edition

  • Improved and expanded CD-ROM contains the following items: Microsoft Excel Workbooks that illustrate how to graph and analyze single-system design data, score standardized scales, and understand contextualized, response-guided, single-system design practice; an “Intervention Plan” form that can be used to develop a comprehensive intervention and evaluation plan of action that parallels chapters in the text; and Microsoft PowerPoint presentations that correspond to material covered in this new edition.
  • CD-ROM also contains SIGNIFICANT updates to SINGWIN including the incorporation of the latest statistical procedures designed for analyzing single-system design data.
Text Website: http://www.ablongman.com/bloom
This website offers a variety of resources for students and instructors, including web links, technical assistance for the SINGWIN software package, sample syllabi, and lecture presentations.

What reviewers are saying. . .

“The three strengths of this text are its comprehensiveness and depth, lucid writing and practice relevance. It’s so good that I cannot even suggest any broad improvements. I love this book.”
Allen Rubin, University of Texas at Austin

“This is the most accurate, comprehensive text available on single subject evaluation and it is also highly readable and engaging.”
Wanda Spaid, Brigham Young University

Most helpful customer reviews

1 of 1 people found the following review helpful.
Useful but sometimes confusing
By LauraZ
I purchased this textbook for a graduate-level research class in an MSW program. It's certainly not the worst textbook I've ever used but not the best either. I found Chapter 1 to be particularly challenging because of the content and the layout of the pages (LOTS of text in block format). I honestly could not stay awake as I read Chapter 1. Even though I took a research class last year and was familiar with most of the terminology, I found that the explanations in the book were lengthy and confusing. However, after Chapter 1, the tone of the book lightened up. I appreciated the almost-conversational style the authors used because it made the material much more readable for me. There were some terms that the book didn't explain well (like positive and negative reactivity). Fortunately, our professor was aware of the poor explanation and was able to explain it to the class in her own words.

The book provides a lot of information about doing good research. If I were going to go into research or pursue a PhD I would keep it as a resource for the future. However, I don't see this textbook as one that I will keep after this class is over.

16 of 18 people found the following review helpful.
enough is enough
By a reader...
I was pleased to hear that this text had been assigned in a graduate research course at my graduate school of social work. I'm seriously disappointed. I would not recommend this text's continued use. It is excessively repetitive, constantly restating previous material (commonly referred to as 'rehashing'), and, as a sidebar, i can't help but mention an irritating habit of unnecessary references to material yet to come ('we'll talk about that more in chapter 14.'). The writing style is terribly wordy, and in a weighted, clunky pseudo-conversational style that rarely is effective in a textbook. The actual technical information is obscured in a constant river of verbiage, usually in page after page of solid block text, the least helpful format when learning technical information (or when subsequently searching for specific information or techniques). The result? It serves as a strong sedative. Finally, the authors repeatedly express apologies, in what eventually (by page 350) feels like an obsequious and cloying manner, for putting forward an empirical and accountable approach to clinical practice. The worst, though, is the repetition of material, as if the reader were an idiot. The sheer relentlessness of it is what is so galling, and at $100 bucks, neither affordable nor worth the investment. There are other texts out there with clearer, cleaner, more articulate prose, that are more respectful of the reader, and at half the price, such as the classic and affordable: Single-Case Research Designs: Methods for Clinical and Applied Settings by Alan E. Kazdin. Ignore the pollyanna reviews above and below, and avoid this text, or if on the syllabus, protest and suggest an alternative.

7 of 7 people found the following review helpful.
Terrible Textbook
By straight A student
This book is awful. As a serious student who makes excellent grades and takes learning quite seriously, this book is insulting. As the previous reviewer stated, it repetitive to the point that every chapter says the same thing. It's far too long and far too expensive. I am in a dual Social Work and Public Health program, and this is my fourth methods course that I have taken. I understand the value of a good textbook, and this is most certainly NOT a good text book. If you are a student required to have this book, buy the older edition and save yourself some money - the citations are not super current even in this sixth edition, you won't be missing much at all.

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Jumat, 10 Januari 2014

[T605.Ebook] Ebook How Dante Can Save Your Life: The Life-changing Wisdom of History's Greatest Poem, by Rod Dreher

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How Dante Can Save Your Life: The Life-changing Wisdom of History's Greatest Poem, by Rod Dreher

Following the death of his little sister and the publication of his New York Times bestselling memoir The Little Way of Ruthie Leming, Dreher found himself living in the small community of Starhill, Louisiana where he grew up. But instead of the fellowship he hoped to find, he discovered that fault lines within his family had deepened. Dreher spiraled into depression and a stress-related autoimmune disease. Doctors told Dreher that if he didn't find inner peace, he would destroy his health. Soon after, he came across The Divine Comedy in a bookstore and was enchanted by its first lines, which seemed to describe his own condition. In the months that followed Dante helped Dreher understand the mistakes and mistaken beliefs that had torn him down and showed him that he had the power to change his life. Dreher knows firsthand the solace and strength that can be found in Dante's great work, and distills its wisdom for those who are lost in the dark wood of depression, struggling with failure (or success), wrestling with a crisis of faith, alienated from their families or communities, or otherwise enduring the sense of exile that is the human condition. Inspiring, revelatory, and packed with penetrating spiritual, moral, and psychological insights How Dante Can Save Your Life is a book for people, both religious and secular, who find themselves searching for meaning and healing. Dante told his patron that he wrote his poem to bring readers from misery to happiness. It worked for Rod Dreher. Dante saved Rod Dreher's life-and in this book, Dreher shows you how Dante can save yours.

  • Sales Rank: #1335589 in Books
  • Published on: 2015-06-30
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.40" h x .60" w x 5.30" l,
  • Running time: 10 Hours
  • Binding: MP3 CD

Review
"As a well-written chronicle of choice between the 'success' of big cities and life in the far simpler world of old traditions and deep family ties�" ---Kirkus

About the Author
Rod Dreher is the New York Times bestselling author of several books, including The Little Way of Ruthie Leming and Crunchy Cons. He is a senior editor at The American Conservative. Rod lives in Louisiana with his family.

Sean Runnette, a multiple AudioFile Earphones Award winner, has also produced several Audie Award-winning audiobooks. His film and television appearances include Two If by Sea, Copland, Sex and the City, Law & Order, Third Watch, and lots and lots of commercials.

Most helpful customer reviews

59 of 67 people found the following review helpful.
A fellow Dante reader's Comedy
By Jordan M. Poss
I follow Rod Dreher on Twitter, read his previous book The Little Way of Ruthie Leming, and read a lot of what he writes for The American Conservative, so when he began blogging through The Divine Comedy I read his posts on it with great interest. Dante’s Comedy is my favorite book and one I’ve read and reread for many years. When Dreher announced that the Comedy would be the subject of his next book I was elated, and preordered a copy. I couldn’t disagree with the title: How Dante Can Save Your Life. He has certainly changed mine. I was not surprised, reading Dreher’s columns, that he responded to it, too.

How Dante Can Save Your Life picks up in the years following the events of his other memoir, The Little Way of Ruthie Leming, which chronicles his sister’s fight with cancer. Following her death, Dreher had picked up and, after decades away from home, moved back to Louisiana, trying to reconnect and mend tattered relationships with his family. Little Way was the story of how he came to do that. How Dante Can Save Your Life is the story of how his attempt failed.

Despite returning home, Dreher recounts that his relationships with family—especially his father and nieces—were terrible. I like Dreher a lot and value his opinions, but having read his work for several years now, he strikes me as a classic oversharer. Reading Little Way, I could only wonder, despite being moved to tears, what his family thought of such a soul-baring memoir. In my experience, a tell-all—even an affectionate, nostalgic tell-all—alienates people. This book gave me an answer: “I showed Mike the manuscript of Little Way before I turned it in, and asked him to let me know if he wanted me to make any changes. He did not ask for changes, but as I learned later, the book displeased him greatly. He thought I had used his wife’s death to tell a story about myself” (30). As a reader, I too had had a hard time escaping this impression.

The resentment of his family revealed, Dreher floundered in depression, lapsed into the doldrums of persistent illness and strained his relationships with his own wife and children. He finally saw a therapist, adopted a strict prayer regimen at the insistence of his priest, and, coincidentally, picked up Dante.

Dante’s Divine Comedy, Dreher writes, is not only great literature but “also immensely practical.” The Comedy begins with a fictional version of the poet lost “in a dark wood, for the straight way was lost.” Not one to appreciate fiction, much less poetry, Dreher identified with Dante and kept reading. Like Virgil, sent by Divine Love to lead Dante to salvation, Dante was sent to lead Dreher out of his own dark wood.

The book follows Dreher through his spiritual and physical recovery as he read through the Comedy. For Dreher, this meant salvation from alienation, broken relationships, and the misery and frustration caused by—and causing—both. Just as Dante’s journey through the revelatory levels of Hell, the suffering of Purgatory, and finally the harmonies of Paradise was, so Dreher’s journey was long, arduous, purifying, and deeply moving.

I really liked How Dante Can Save Your Life, but I still wonder about the propriety of what Dreher has chosen to share with his readers—especially considering that one of the sources of strife within his family is his previous book. Dreher writes with great feeling and sincerity but, as another reviewer has noted, the narration sometimes comes across as self-pitying, even in the later stages when he has learned how selfish he is and is striving toward greater humility. Even as he learns to let go of his bitterness and anger, he reminds himself over and over again of the incidents that made him bitter and angry.

The book also veers—just occasionally—into stereotypical self-help rhetoric. “Suffering comes to everyone,” writes Dreher. “It’s the human condition. What you do with that suffering determines whether or not you remain an earthbound caterpillar or metamorphose into a butterfly” (220). And from near the beginning of the book: “The answers and peace you seek are within you” (13), a statement completely at odds with Dante’s story of salvation through divine intervention.

But that kind of self-help cliche is only occasional, and the former problem—what makes me wonder about the propriety of Dreher’s project—is just the negative side of his candor. Dreher mostly mines solid wisdom from Dante’s rich epic, and his honesty about his own failings is the book’s strong suit most of the time.

As Dreher promoted his book I balked at the idea of treating Dante as a self-help guide. I want to value art as art, “practical” value being an unhealthy modern and particularly American obsession. Dante especially is someone with far more to say than bullet-pointed lists of self-help advice. But Dreher mostly won me over. How Dante Can Save Your Life is, importantly, “not . . . literary analysis, [but] a personal view” (xv-xvi). And Dante himself described four levels on which his art could be read and interpreted, writing that he intended his Comedy to be a hopeful work, one that would illustrate God’s salvation for people and help them toward it. After all a "comedy" is, in the medieval sense, a story with a happy ending. Dreher’s project is a continuation of that work, and for that I deeply appreciate it.

Recommended.

103 of 122 people found the following review helpful.
Skip this and read The Divine Comedy itself
By Rod Anderson
"The Divine Comedy" by Dante Aligheri is widely accepted to be one of the great works of human creativity, expressing universal truths about human nature. Anything that leads a reader to read "Divine Comedy" is a good thing. To the extent that this book, "How Dante Can Save Your Life" does that, it is useful.

Beyond that, however, it is hard to sort out exactly what this book is. The body of each chapter weaves description and summary analysis of a selected canto or two of "Divine Comedy" with autobiographical passages on how that canto (allegedly) applied to the author’s life. A text box of watered-down and not all that helpful self-help tips appears at the end of the chapter. Some credit is due the author for those portions that directly discuss "Divine Comedy" as they include interesting takes and ideas, especially in the "Purgatorio" and "Paradiso" parts. But I'm generally familiar with "Divine Comedy" -- I fear somewhat for the reader of this book who has not read "Divine Comedy", as the content of this book seems to assume some level of familiarity even though it says none is assumed. So as an introduction to "Divine Comedy" to the unfamiliar, this book may work to a limited extent.

But this book is more an over-sharing autobiography than anything else. The author apparently believes that his personal journey toward healing using "Divine Comedy" will serve as an example of how the reader can do the same. But this is an odd approach: "Divine Comedy" on its own beautifully accomplishes this already, in a way that applies to all humans and all manner of sin. To view "Divine Comedy" through the glasses of one particular human necessarily distorts and diminishes its power, making it far less universal and applicable to the general reader. This distortion is magnified in the case of this book, in which that one particular human, the author himself, is portrayed as a very peculiar man with his own very peculiar issues that wouldn't seem to extrapolate well to the general reader. Not the best approach for a self-help book.

The book doesn’t work as an autobiography either, in that the reader has little reason to be interested in the author to begin with, and won’t gain much more reason from progressing through the book. Perhaps those readers who are familiar with and enjoy the author’s previous work may care about the author’s life experiences, but that makes this book largely a fan club piece instead of something more meaningful. Since I’m not in the fan club to start with, I found the autobiographical segments to be quite frustrating -- just as a chapter was getting interesting in discussing one of the cantos, here comes yet another chunk of how the author was having issues with his family. Worse yet, it’s the same issues over and over again (which are largely portrayed as the fault of his family). The whole thing rings hollow.

A final point is that this book largely ignores the primary thrust of "Divine Comedy" -- eternal punishment and reward. Perhaps this comes from the author’s attempt to appeal to non-believers. But if the goal of the author is to get the secular to read something to improve their life here, he should write about something else. The power of "Divine Comedy" is in finding God, not in avoiding stress. It isn’t about saving your life, as the title claims, it’s about saving your soul.

My suggestion to the reader who is drawn to this book: read enough of this book to get interested in reading "Divine Comedy", and then set this book aside and get started.

111 of 132 people found the following review helpful.
A Story about Rod Dreher Occasionally Flavored by Dante
By Kelly J. Hahn
I purchased this book with high hopes. I have never read Dante and liked the idea of a personal journey through a piece of classic literature. The problem is that the journey was uncomfortably personal. Dreher is way too free with his family's history, grudges, conversations and failings. He comes to the conclusion that he is to love his family whether they show him love and acceptance or not, but I fail to see how this book will do anything but further the strain or sever those relationships. I also wonder how his therapist, Mike, and his priest, Father Matthew, feel about the book and the fact that their private conversations are in it.

My biggest critique is that this book is 75% about Dreher and 25% about Dante. Dreher seems obsessed with how he thinks and reacts. Throughout the book, he uses narrative techniques to talk about himself: "I took a sip from the large plastic tumbler of ice water I kept with me at all times, since the Epstein-Barr virus left me perpetually thirsty" (p. 172). The book becomes less a testimony and more a personal narrative in which he is the hero. And he says as such (p. 219). This was distasteful. If people who talk about themselves all the time bug you, you might want to pass on this book. Dreher is the main character and everyone else--even Dante--only has a supporting role.

Dreher's analysis of Dante, when it is allowed to muscle between Dreher's storytelling and introspection, is good. I wanted more of it. I really want to read The Divine Comedy, so there is that.

Another problem with the book is that Dreher seems to have an epiphany every chapter. This is just unrealistic. He also seems to equate epiphany with growth and learning with change. Further, Dreher hears Dante in his priest's sermons, in conversations with his therapist and, well...everywhere. He takes a good thing and makes more of it than is wise. It might be in Dreher's best interests to fast from The Divine Comedy for a while.

In the end, Dreher shares too much about his family that I am guessing his family did not give him permission to share and builds a narrative around his self-obsession and reading of Dante. I can't recommend it to anyone.

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Kamis, 09 Januari 2014

[U622.Ebook] Free PDF Expressways: Level 2 Teacher's Guide, by Steven J Molinsky, Bill Bliss

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Expressways: Level 2 Teacher's Guide, by Steven J Molinsky, Bill Bliss

A basal series for adult learners that integrates lifeskill topics, functions and grammar. A variety of role-playing, co-operative learning, critical thinking, problem-solving and community tasks offer student-centred learning.

  • Sales Rank: #2437022 in Books
  • Brand: Brand: Prentice Hall
  • Published on: 1996-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.70" h x .60" w x 8.70" l, 1.60 pounds
  • Binding: Paperback
  • 344 pages
Features
  • Used Book in Good Condition

From the Back Cover

Expressways is a complete four-level course that features all-skills language practice. The series incorporates cooperative learning, critical thinking, problem solving, role-playing, cross-cultural discussions, self-assessment, and community activities to promote an interactive, student-centered learning experience.

  • Student Texts contain high-interest readings that integrate life skill topic, functions, and grammar with role-playing, group discussion, and cooperative learning.
  • The Teacher's Guide provides step-by-step instructions for each lesson.
  • New Activity and Test Prep Workbooks provide a variety of exercises and activities for reinforcing grammar, and grammar and test-taking practice to prepare students for standardized tests.
  • The Testing Program includes a placement test and end-of-chapter achievement tests.
  • Audio Programs for both the Student Books and the Activity Workbooks provide realistic recordings of dialogue and activities.

About the Author
Sarah Lynn's three young sons taught her how to race toy cars. Together they?ve used their imaginations to create roads everywhere (couch, kitchen floor, dirt, sand, rug, and the bathtub, just for starters.) The idea for 1-2-3 Va-Va-Vroom! came to Sarah when she was teaching her oldest son to write numbers. They began imagining the pencil as a car drawing its own track. Those vroom-vroom sounds made writing numbers so much more fun. Sarah is also the author of Tip-Tap Pop, illustrated by Valeria Docampo. She lives with her family in Camarillo, California.

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4 of 4 people found the following review helpful.
An Effective Langauge Series
By Paul S. Remington
The Expressways series of textbooks is designed to accelerate an English student's language mastery through exercises that teach visually through reading, tactilely through writing, and audibly through speaking. The student's abilities mature through practicing these skills for proper mastery of the English language.

My wife is a Chinese native who recently began English as a Second Language (ESL) courses at our local high school. The instructor uses these textbooks as the primary tool for learning. We have found them to be an effective and fun way to learn together as a couple and it has helped her language skills and personal confidence.

The exercises in the textbook are designed for a classroom setting or, if a classroom is not available, for practice with a partner. My wife benefits through classroom interaction twice a week and by working with me.

It is very important the student is able to work with someone to practice the lessons in the book. I would strongly suggest purchasing the companion workbook that accompanies this textbook for added exercises. There is also an audio component to this series that can be helpful, but if the student will be in a classroom or can practice daily with an English-speaking person, the audio is not necessary.

The conversational lessons in the textbook use iteration to teach. The student practices scripted conversations with a partner and phrases are changed to vary the meaning. The conversation remains similar each time, which reinforces the language structure, and the student learns through familiarity and practice. This is a crucial component to the learning process.

In addition to the interactive components are lessons that teach the correct grammatical structure of English sentences. Lessons force the student to think about what they're saying and practice the rules and logic in their mind before selecting the best answer. These grammatical lessons are reinforced through the practice conversations.

I would recommend the Expressways series for anyone who wants to increase their English mastery, but it is vitally important the student has a partner to assist with the lessons. This is best accomplished in a classroom setting at least once a week and/or with a friend or loved one close to the student. This is not a self-study textbook. While some of the lessons are accomplished alone, the real learning comes through verbal interaction and practice.

If you do not have access to a classroom or study partner, purchase the audio component along with the textbook and seek-out English speaking people to talk to.

With time, persistence, and practice, your English skills will increase, and the Expressways series of language textbooks will help you accomplish your goals.

0 of 0 people found the following review helpful.
very useful to
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Books, very new, very useful to me

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Minggu, 05 Januari 2014

[S792.Ebook] Download Total Knee Arthroplasty, 2e, by Richard D. Scott MD

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Total Knee Arthroplasty, 2e, by Richard D. Scott MD

Learn the latest innovations and techniques of one of the most performed procedures in the world with Total Knee Arthroplasty. Dr. Richard Scott, co-designer of the Total Knee System, brings his years of experience to each clinical challenge, walking you through myriad scenarios and highlighting the pearls and pitfalls he experienced himself along the way. This single-author format lends a consistent, authoritative voice to this medical reference book.

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  • Explore in-depth topics covering all facets of knee replacement, both operative and nonoperative, to restore function to diseased knee joints.
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  • Expert Consult eBook version included with purchase. This enhanced eBook experience allows you to search all of the text, figures, references, and videos from the book on a variety of devices.

  • Sales Rank: #1561178 in Books
  • Published on: 2014-10-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.50" h x 9.00" w x .75" l, .0 pounds
  • Binding: Hardcover
  • 192 pages

Review

“The vast majority of the photos are of excellent quality, and the few lines of description next to the pictures provide a high-yield summary of what you need to know about the basic histological features of the disease. The pairing of the book with website resources is a distinct advantage for users.” - Feras Ally, MD (University of Kansas Medical Center) for Doody’s Review Service

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0 of 0 people found the following review helpful.
Four Stars
By Ron Quam
Great knee book for Ortho surgeons or residents.

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Minggu, 29 Desember 2013

[O162.Ebook] Ebook Download The Oxford Handbook of Medieval Philosophy (Oxford Handbooks)From Oxford University Press

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The Oxford Handbook of Medieval Philosophy (Oxford Handbooks)From Oxford University Press

This Handbook is intended to show the links between the philosophy written in the Middle Ages and that being done today. Essays by over twenty medieval specialists, who are also familiar with contemporary discussions, explore areas in logic and philosophy of language, metaphysics, epistemology, moral psychology ethics, aesthetics, political philosophy and philosophy of religion. Each topic has been chosen because it is of present philosophical interest, but a more or less similar set of questions was also discussed in the Middle Ages. No party-line has been set about the extent of the similarity. Some writers (e.g. Panaccio on Universals; Cesalli on States of Affairs) argue that there are the closest continuities. Others (e.g. Thom on Logical Form; Pink on Freedom of the Will) stress the differences. All, however, share the aim of providing new analyses of medieval texts and of writing in a manner that is clear and comprehensible to philosophers who are not medieval specialists.

The Handbook begins with eleven chapters looking at the history of medieval philosophy period by period, and region by region. They constitute the fullest, most wide-ranging and up-to-date chronological survey of medieval philosophy available. All four traditions - Greek, Latin, Islamic and Jewish (in Arabic, and in Hebrew) - are considered, and the Latin tradition is traced from late antiquity through to the seventeenth century and beyond.

  • Sales Rank: #705068 in Books
  • Published on: 2015-04-01
  • Released on: 2015-05-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.70" h x 1.70" w x 9.50" l, .0 pounds
  • Binding: Paperback
  • 770 pages

Review

"Edited by Marenbon, this volume succeeds remarkably well in its attempt to be a state-of-the-art overview of analytic approaches to medieval philosophy."--CHOICE


About the Author

John Marenbon is Senior Research Fellow and Lecturer, Trinity College, Cambridge. He is the author Boethius, among other titles

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