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This beautifully illustrated book, focusing on a selection of later paintings and drawings by Jacques-Louis David (1748–1825), is published to accompany the first major exhibition of the artist’s work in the United States. Organized by the Sterling and Francine Clark Art Institute and the J. Paul Getty Museum, this exhibition of 27 paintings and 29 drawings is also the first to examine the transformation of David’s art during the post-Revolutionary period (1800–1825). Each of the works, many of which were previously unknown or inaccessible, is reproduced in color and accompanied by an entry with complete scholarly information.
Art historian Philippe Bordes establishes David’s position after the Terror and discusses the artist’s admiration for Napoleon Bonaparte, for whom he served as court painter. The book also investigates David’s new approach to antiquity in historical compositions and the avowed influence of the Flemish School on his practice. Drawing on many new documents and close analysis of the works featured in the book, Bordes offers a revised understanding of this deeply reactive artist and the creative output of his second career.
- Sales Rank: #1778789 in Books
- Published on: 2005-04-08
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 1.36" h x 9.46" w x 12.34" l,
- Binding: Hardcover
- 400 pages
From Booklist
French art historian Bordes reappraises the later career of David, who achieved early fame with icons of classicism, such as The Death of Socrates (1787). To say David's politics provoked controversy in his lifetime and divisive opinion today puts things mildly: a radical member of the National Convention that condemned Louis XVI, David eventually muted his revolutionary credentials and "made every effort to be designated team captain" of Napoleon's art patronage. Whatever his motivations, David became the leading court painter. Bordes examines David's paintings and drawings of 1800-1825, to be exhibited this summer in Williamstown, Massachusetts. How the images are regarded today, and their past critical reputations, occupy Bordes' scholarly passages, while his biographical chapters are masterfully clear and informative. Technically the most superior images of Napoleon from life, David's paintings of the dictator are the main attraction here but will lead viewers on to appreciate not only David's metier--grand-manner, antiquity-themed scenes such as Leonidas at Thermopylae (1814)--but also his commercial portraits. A fabulous showcase of David's work and changeable renown. Gilbert Taylor
Copyright © American Library Association. All rights reserved
Review
"...a very readable book for general audiences... [and] a solid scholarly apparatus as well." -- Library Journal
"A beautiful book and a significant contribution to our understanding of David’s place in art history." -- Art Times
About the Author
Philippe Bordes was founding director of the Musée de la Révolution Française in Vizille, France, from 1984 to 1996 and is currently professor of art history at the University of Lyon.
Most helpful customer reviews
1 of 1 people found the following review helpful.
One of the better books about Jaques Louis David
By Cire
Great book about a great french painter. I can recommend this book if you find a copy for a good price.
1 of 1 people found the following review helpful.
Five Stars
By Amazon Customer
very good
4 of 5 people found the following review helpful.
Book well documented and well illustrated
By Juan Las Palmas
It is the catalog of a recent exhibition of works of Jacques-Louis David, mostly portraits and drawings, the text presents many details, and illustrations of the portraits are superb.
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